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Back Porch Enameling

Summer is just around the corner, so I’ve set up a small kiln outdoors. I was a little nervous about it at first, but then, I hit my stride and enjoyed the view.

The outlet cover on the left was flattened with a weight while still soft after firing. The one on the left cooled without weighing it down.

To my delight, the new weight I had made for me flattened all my new pieces easily.  With some practice, I got the timing just right without cracking the glass.

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Enamel Experiments on Light Switch Covers

A collection of earrings by Kristin Ellis on display at an art fair
Far left: 2222 Flax Yellow, 2 center: 2610 Sky Blue, Far right: 2110 Ivory

My latest improvisations in enamel were successful. I fired pale trans parents onto bare fire scaled copper and got some great effects. I fired them to 1500 degrees F. About 3 minutes total firing time.

Here are the finished pieces with more colors fired on top.
These switch plates had a more extensive fire scale pattern, and the green has an iridescent shimmer when light hits it at certain angles.

I’ll be making more of these and trying some new colors as well.

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Enameling Light Switch Plates

necklace made from a sterling spoon bowl carved with the silhouette of a woodpecker

My latest adventure in copper enameling, sgraffito light switch covers. I begin with a layer of clear and the follow with a layer of opaque color. I incise away the top color to reveal the luminous clear underneath.

The kiln and fired pieces cooling

Here is the opaque color before firing:

3 light switch covers after firing

Before firing, an opaque red switch cover before firing

And after firing