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First Flux Firing

A collection of handmade rings by Kristin Ellis

Today, I refined my technique is the first firing of clear enamel over copper. This is a cool part of making lots of switch plates. The repetition shows me quickly what works and what doesn’t.

Switch Plates ready for firing

Yesterday, after firing counterenamel on the backs, I started the first high firing of transparent flux using the same kiln temperature. To my surprise, the result was a bit cloudy.

The outlet plate on the left was fired longer at 1500 and the one on the right was fired at 1700 for a shorter time. Both pieces were cleaned in pickle and wet sanded before sifting the flux.

I got the clearest, brightest results when I fired pieces up to 1500 degrees and then held for 30 seconds.

1500 degrees after about 30 seconds of firing time

After removing the plate from the kiln, I flatten it with a antique iron. This step is necessary because the glass warps the copper.

The switch plate is underneath the iron and the trivet that held it in the kiln is on the right

The next step for these pieces is adding an open color! It’s going to be fun 😊

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