
Today, I refined my technique is the first firing of clear enamel over copper. This is a cool part of making lots of switch plates. The repetition shows me quickly what works and what doesn’t.

Yesterday, after firing counterenamel on the backs, I started the first high firing of transparent flux using the same kiln temperature. To my surprise, the result was a bit cloudy.

I got the clearest, brightest results when I fired pieces up to 1500 degrees and then held for 30 seconds.

After removing the plate from the kiln, I flatten it with a antique iron. This step is necessary because the glass warps the copper.

The next step for these pieces is adding an open color! It’s going to be fun 😊